January, 2001
Last December, Sony
UK released ANTBOX, the long-awaited three CD compilation of hits,
rarities and unreleased tracks. In addition to solicited questions
from regular adam-ant.net visitors, Marco Pirroni met with journalist
Claudia Spicks in London to discuss everything from the Antbox,
the Decca Demos, Persuasion and cardboard boxes.

CS:
Claudia Spicks
A-AN: adam-ant.net
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First off, your admirers just want to say thanks for all of
your fantastic music over the years! You will be considered heroes
to many forever. So let's talk about Antbox. How are sales overall?
Antbox sales are extremely
good - so I'm told. Sony seem very happy and they have no reason
to lie to me (at least I can't think of one) and you will be our
hero too (if you like)
A-AN: What source was used for the Young Parisians and
Lady/Catch A Falling Star tracks? They seemed to be of
lesser quality than some of the bootleg versions.
Those two tracks were
taken directly from Adam's original acetates, it was a bit scratchy
but I liked that. I 'm afraid I left a lot in on purpose - to
give it a real 1977 sound -- it was punk rock, you know!
A-AN: How did you decide which songs to be put on Antbox? I am
sure you had to listen to a lot of demos, etc. Was it hard to
decide what to put on it?
The difficult thing
was deciding what to leave off! I just ultimately tried to strike
a balance between what was interesting to hard core fans, and
what was exciting to first timers and what I liked.
A-AN: Tell us about the recording with Adam playing drums on a
cardboard box.
After seeing a TV documentary
about Buddy Holly and the Crickets, in which the Crickets drummer
demonstrated how he recorded the drums on Peggy Sue on a cardboard
box in a tiled bathroom, I thought Wow that's sounds great. But
who could I persuade to sit in a toilet, on their own and bang
a cardboard box? Only one person would fall for this and so it
was that Adam Ant. He found himself sitting in a toilet at Townhouse
studios on his own armed only with a pair of drumsticks, a pair
of headphones and various cardboard boxes of different sizes.
It was there that he valiantly laid down various takes for the
Friend or Foe album, some of which you can hear on the boxset.
A-AN: Can you tell us about the KPM studios recording in 1982?
A lot of good songs came out of those sessions that are featured
on Antbox like Zydyco, Coup D'tat, and I Win
Zulus. Are there any other songs from that session that might
see the light of day for fans? These are exceptional songs!
KPM
studios was a place on Denmark Street, London where we did all
our early demos including Antmusic, Rancheros and most of the
songs later to be recorded for Kings album. There are a few others
that never got released or finished stuff like Who's a Goofy
Bunny?, And so you shall and Yellowbeard If
all goes well, you could hearing this stuff later on in the year.
A-AN:
Why were the 1985 versions of It Doesn't Matter and B-Side
Baby used instead of the Decca demo versions? Is there any
hope in getting the entire Decca demos digitized and released
on CD?
Why? Because I'm on
them and I like them better! But, yes Sony has expressed an interest
in releasing the Decca demos and that might be this year.
A-AN: Did you think about including lyric sheets for the demo
and unreleased songs in Antbox? Fans would have appreciated this
addition!
Hmm.. I never thought
of that, oh well, even I'm not perfect!
A-AN: The songs Deutscher Girls and Plastic Surgery
are credited to Stuart Goddard, not to Adam Ant on this publishing.
Is that due to a new publishing deal?
No. That's due to an
OLD publishing deal.
CS: You have had so many compilations, do you think Antbox will
be the last?
Well as I mentioned,
there is talk about putting out the Decca demos, which might come
at the end of the year, but I can make no promises. It is too
easy to say we will release something and then if it does not
happen there is disappointment.
A-AN: Is there any plans to release Antbox and Antvideo in the
USA? Is this due to a Sony licensing conflict?
I'm afraid not, Sony
UK have been pushing Sony US to release Antbox - but to no avail.
Perhaps you should ask them yourself, as they don't take any notice
of me.
It's
time for the fans to speak up!
Send two emails to Sony demanding the
US release of Antbox now! Visit Sony's feedback website and
use their online form at: http://www.sonymusic.com/feedback/
Send
two emails - one to Legacy Recordings and one to General Comments
urging them to release ANTBOX in the US NOW!

CS: Which track would you consider your favorite?
I have not got a favorite,
it's like asking which is your favorite child really, you can't
say.
CS: Which is Adam's favorite track?
I think he's like me,
we have often talked about this. His is probably Dog Eat Dog,
it isn't always Dog Eat Dog, but if you were to ask him
he would skip explaining like I did and just say Dog Eat Dog.
CS: Whose idea was Antbox?
It was Sony's actually.
They asked us if we wanted to do the Antbox and we thought that
seemed a good idea.
A-AN: Many people think the demo version of Manners & Physique
a million times better than the album version - it's more upbeat.
Why was this not chosen on the released version? Was it because
the lyrics were too 'spicy'?
No,
It was because Andre Cymone and Adam weren't completely happy
with it so they decided to re-record it.
A-AN:
Why did you include ALL the singles on Antbox, when there is tons
of unreleased stuff out there that fans are interested in hearing.
And you've already had so many HITS packages released!
I'm going to blame
Sony for that, well they have a bit of a say in it.
A-AN: Why was Picasso Visita.... translated to English
for the box set?
I just like it better
in English.
CS: Antbox was originally going to be released in 1997 to mark
the 20th anniversary; why did that not happen?
It wasn't released
because of the Persuasion tracks, we tried to get them,
but MCA didn't even seem to know that they owned them. Originally
they wanted to give them to us, but we only wanted two or three
tracks and MCA was asking for the cost of the whole album, that
doesn't make sense. I don't understand it, no-one understands
it, the only people who do is MCA.
A-AN: What did you think of the Ants before you joined Adam?
I thought they were
awful at first, but they improved fast.
A-AN: CD#1 consists of about 20 songs that were recorded before
you joined Adam. What do you think of the old stuff? Did you consider
the Ants to be a good punk band? Did you see them play live a
lot?
I
love the old stuff that's why I included it. I did see them play
a lot as they supported the Banshees all the time. And I was a
friend of the Banshees so I used to get there early to see the
Ants and while the Banshees were on I used to like to go in their
dressing room and steal their booze!
CS:
Why hasn't Persuasion been released?
You'll have to ask
MCA about that - they refused to admit that they even own it and
then they refused to license it at any price! First of all, I
did not sign the deal with MCA, so I am not too familiar with
all the legal wranglings, but for some bizarre reason, basically
they didn't like it at the time. The company itself was going
through financial difficulties and changes. But the reasons why
is best known to themselves. It sat on the shelf; we couldn't
get it back. We tried to use some of the tracks from Persuasion,
to put on the Antbox; they simply did not want to license them.
It's
time for the fans to demand MCA to speak up!
Send
an email to MCA demanding the release of Persuasion now!
Visit Universal Studio's website and use their online form:
Universal
Studios/MCA
Select Universal Music
Group as the subject line and urge them to release the
long delayed Adam Ant Persuasion material.
*
MCA is a division of Universal Music Group
CS: Why the long gap in-between Persuasion and Wonderful?
You'd better ask Adam
this, he is the one who decides when to work.
CS: Would you ever consider re-recording the tracks under a different
label?
Yes I suppose you could
do that, but if you think about recording songs some ten years
old you might as well start something new. And why would you pay
for it all over again when you have already done it.
CS: Will we hear some more unreleased songs?
Maybe, well yeah. There
is lots of stuff, but people tend to complain about the sound
quality of the demos, but they are just that, demo's. There is
nothing we can do about that. Unless the sound on the original
demo is very clear, there is not a lot we can do. Sometimes we
work on something and in the middle of it we realize, it's not
what we thought it was going to be, so it's dropped and we start
afresh. And then years later we might find it again and wonder:
Why did we never finish this, this is really good.
A-AN: Would you maybe sign to Sony again, or would you consider
recording an album and just seeking a distribution deal?
I would rather sign
to a smaller less corporate label.
CS: Are you still working with other artists?
Not at the moment,
but I am going to be.
A-AN:
Your production on a Max album would've been a lot better than
Trevor Horn's! Little Ghost was excellent! Any thoughts
on this?
Yeah I think so too,
Trevor's was too laid back for my taste.
A-AN:
What's the news on the Holy Spitfires? We are anxiously awaiting
info on this!?!
The Holy Spitfires
begin recording 10th February. (Editor's note: The Holy Spitfires
is a musical project featuring Marco, plus former 70's Ant members
John Beckett
(Johnny B), Andy Warren, and Allayne (former Ants roadie).
CS: Are you going to continue with new ideas or will you get back
into the old style?
We couldn't go back
to our old style, because it would sound false. The things we
did were of the time, ideas that we had then. And to go back to
it now wouldn't be natural.
CS:
So there will not be any more flamboyant costumes?
No, I don't think so,
I don't think we can ever really go back to that.
CS: Would you say that you are the driving force behind the ants?
No, Adam would be the
driving force here.
CS: But do you think his music would be the same without your
guitar?
No, it wouldn't.
CS:
What puts you off going on stage?
I have always hated
it. I do my job, but I always found it immensely boring.
CS: Did you enjoy working on videos?
No, I didn't, that
was equally boring, it was just sitting around all day waiting
for your part to be shot. Getting up early, which I hate.
A-AN: Can you give any info on the long-awaited AntDVD? Fans are
waiting for the old Ant stuff or rare stuff that was filmed that
has never been shown.
Again this is another
project that Sony is keen on. I can't give any dates as it is
still in discussion stages, I am afraid.
CS: Do you still get a lot of recognition from people on the street?
Occasionally depends
where I am, about two or three times a week, instead of about
two or three times an hour. In 1981 it was particularly bad, if
I had to go shopping I would stay up all night to get to the shops
just as they opened.
CS:
Where do you think is the point you will stop?
I don't think music
is something you ever retire from.
CS: What about Adam, he's married now, you would think he would
like to settle down permanently now, no?
No, it's not like that,
He originally wanted to take about a year off, he still wants
to work, he just doesn't know when yet.
CS:
Can I squeeze some information about Adam's illness?
No, it's not really
anything to do with you, it's not to do with me either. He was
not suicidal, he was not crawling on the floor and he doesn't
look any different now. He's simply depressed. It's a thing that
happens to a lot of artistic people.
CS: How is Adam getting on with married life?
I don't really ask
about his personal life very much, even though we are friends,
we respect each other's privacy.
CS: Whatever happened to the idea of setting up your own record
company? 
We were, but we didn't
do it in the end. Too much work and not enough artists. Things
are different now; artists are different. Record companies nowadays
don't deal with artist anymore, they will deal directly with the
managers, and if the artist doesn't do as they are told they can
be simply fired
CS: Who, in your opinion, comes up with most of the ideas for
your songs?
Adam does all the lyrics.
No, actually it is hard to say who does; it does not work like
that. Adam might say lets do this, and two hours later that idea
might disappear and something else comes up.
CS: Does time affect Adam musically?
I suppose it does,
people change, Adam's tastes change.
CS: Does he ever say I am getting too old for this; I am not going
to do this anymore?
He has been saying
that for twenty years. I say it as well; I mean everyone will
say it occasionally. But as I said already, I don't think you
ever retire from music.
CS: Your fans are growing older with you, how do you feel about
that?
I am not doctor who
and I can't turn back time. I once said the audience was all punks
and little girls, now they are old punks and old little girls.
I don't mind the fans being maturer, if there are younger fans
that's good too.
CS: You have got the most stubborn following I have ever seen
how do you feel about that?
I know, whatever I
try to do, they won't go away. (Joke!)
No matter what I say…..
CS: Talk to me about obsessive fans:
Some people do get
very obsessive and at one stage I thought this is actually great,
you can see what people think and want. But it does put us off
when they become too possessive. It's kind of creepy, people want
to instill things, put things onto you, they have never met me,
and they don't know what I am like….
CS: What is it that drives all of this, what is the motivation?
You just have to do
what you want to do. I like doing it.
CS: Will there be any stage appearances at all?
No
CS: Will there ever be a reforming of the Ants?
No. I don't think so;
the only people who really want to reform are Terry and Gary.
Chris was actually going to produce Wonderful, but then he ended
up doing something else. I talk to Chris all the time about doing
some things together, and when the time comes I am sure something
will happen.
CS: Why did the Ants break up?
Well it came to a point
were the band members became superfluous. And at the time we weren't
intending to play live, so we thought if we just play in the studio,
what are they here for?
CS: Did it feel incomplete after the break up?
No, never, it seemed
much easier, in fact more complete. Have you ever seen those guys
with the spinning plates on sticks? That's what its like to be
in a band, you get on spinning one and think Alright, he's happy
now, then you run to the next and keep that one going and so on…
CS: Did you ever feel left behind by Adam?
No, musically I think
we were always definitely equal.
CS: What is it like working with Adam?
He trusts me, and he is quite happy to let me get on with it.
CS: Is Adam bossy at all?
He can be, but so can
I, he likes to lead and he is a very good leader, he kind of knows
when to be still and let others have a say, even though he might
be thinking What are they doing?
CS: What is the most recent thing you have written with Adam?
It was about two years
ago.
A-AN: What do you think of the Ant covers done by NIN, Elastica,
Robbie Williams, etc. Have you heard them? Do you think they are
good?
Of course I've heard
them, and I have to like them or they don't get released I'm not
sure why Sugar Ray's version of Stand and Deliver was exactly
like ours but I guess they liked that way.
CS: Will there be another Ant release at the end of the year?
The truth is, I don't
know, I would like there to be. But I don't want to say too much,
because if it doesn't happen then there will be disappointment.
We don't make any promises because there could be so many reasons
why things do not happen, be they personal or other. Sorry to
be vague, but it's vague.
CS: Have you got any vices?
Yeah, millions…. I'm
a shopaholic really, and what I want has to be now, otherwise
I lose interest and I don't want it anymore.
Although the future
of new antmusic is uncertain, hopefully we will see hear more
unreleased material in the near future.
Please don't forget
to support our campaign to encourage Sony US to release ANTBOX.
Also, tell MCA that it's about time they release Persuasion.
Interesting
Marco links:
About
the journalists:

Thanks to Claudia Spicks, members of the antmusic list, and
to all fans who submitted questions.
Special thanks to Marco.